Let’s get your vocals under control with the best vocal compressor plugin software.
OTT (Free Multiband Compressor) Posted on. Mal-2 on The 15 Best Free Guitar (VST/AU/AAX) Plugins 2020; mıknat on Music Theory Essential. Good mastering plugins can be hard to come by, and they can definitely be expensive! This is why I created this list of the best free mastering plugins which should help you get your mixes to a new level while not spending anything! Table of Contents Youlean Loudness Meter 2 (Windows/Mac) mvMeter 2 by TBProAudio Best 15 Free Mastering VST/AU Plugins that Sound Great! Download the Best Free Multiband Compressor Audio Plugins. Just click and download.
As each compressor plugin software is different, and there are myriads out there to choose from, we’ll keep it simple, and take a look at 5 of best best choices out there… 8 free vst plugins that will warm up your sound.
All of which were researched and recommended by the best.
Quick answer: Softube Tube-Tech CL 1B is the favorite, but if you’re looking for something less costly, take a look at the FabFilter Pro-C2 as perhaps the most popular option out there.
However, picking off a couple isn’t good enough, compressors differ based on character and style.
So let’s take a closer look 🙂
Find more great gear here:
EQ Plugins for Vocals, Top Waves Audio Plugins, Tape Emulation Plugins,Vocal Microphones
Vocal Compression Guide
What is a Compressor?
Compressors are a bit of a controversial plugin in some ways, as to many it is mystery how it works… and even more of a mystery as to what it can do for them.
This is especially true when it comes to vocal compression.
But as simply put as possible, a compressor compresses dynamic range. So that means that above a set volume (threshold), the compressor will limit the amount of volume increase going out the back end (output) compared to what is coming in the front end (Input).
Given that basic function (compressing and audio signal’s dynamic range), you can imagine the vistas of creative potential open to producers. Imaginative engineers realized you could use them creatively to re-shape the transient shape of sounds. Presto! Compression algorithms became secret sauce.
Hence many fancy named compression techniques, such as of side-chaining, parallel compression, etc., are now used. But not just in a technical way, but as if the compressor was itself a musical instrument.
However, we are on the topic of vocal compressor plugins. So, keeping that in mind, there are a few features that every good compressor should have. Let’s find out.
Features to look for & How to choose
If you follow forum discussions, you will find a lot of opinions about the various types of processors out there. Each producer has their favorite because, given time and experience, one compressor can be somewhat like another.
All compressors will should have these:
- Threshold – which determines the level your audio signal must be before the compressor can reduce its volume.
- Ratio – determines the level of compression that will be applied to the audio signal once the loudness threshold is reached.
- Attack – how fast or slow the compressor will be activated to reduce loudness.
- Release – how fast or slow the compressor will be deactivated to return the audio signal to is original level.
- Knee – smooths out the ratio so that there isn’t a sudden change in dynamics.
- Make-Up Gain – used to “make-up” the amount of gain that has been lost from all that amplitude attenuation.
- Output – allows you to increase or decrease the sound coming out of the compressor to a desired level.
For a more detailed explanation of each, read thisreal funny exposition of audio compression in music production.
Beside these featured listed, a compressor may function slightly differently, or offer some additional features that make them useful for whatever purpose you want to use it for… in this case, mixing and recording vocals.
Character and Vanilla
There are “Character” units, and “Vanilla” units. Like the name suggests, a good character compressor will add some depth and personality to your vocals. A vanilla compressor will get the job done without you know it was even in the room, like a good butler.
Other than that, another thing to look for in a compressor is versatility. That and the ability to get the results you want reasonably quickly.
Sometimes those things will conflict a bit. That is why we choose a plugin which fits our needs the best.
Best Compressor VST Plugins for Vocals
Softube Tube-Tech CL-1B
Price & Demos @ Plugin Boutique
Softube is a great name in overdrive DSP and this FET emulation has many, many fans. This one is of an optical unit. A high-ticket opto unit that many love for its “musicality,” but may be out of some user’s budget.
Feature wise it’s a lot like the popular CLA-76 from Waves that we mention below, but the source unit has a unique behavior that made them a top choice. The optical method is prone to being softer and gentler to vocals, while still being able to lay down the law when necessary.
It is all about the secret DSP sauce of how nothing is really linear. Add 2db of Gain and suddenly your sound is different. Changing one knob is like changing five knobs on a “clean” compressor. Over time you can get a sense of what is going on. Until then…
You tend to start out wiggling the vaguely labelled knobs and suddenly something great appears in the murk. This is character processing at its best, and if the unit sounds good then you can’t beat it.
The only downside to nitpick at is that if you’re a control freak you can also find it frustrating, since you can’t so much “control” this unit but rather “guide” it like an air traffic controller guiding a Boeing 747 onto land.
That said, it’s good to give up some control, especially if you know there were some experts at the wheel behind this thing, and the results are often solid.
If this is the path for you then close your doors to the world and make this the only device you use for everything. Just like they did back in 1965. It is part of your “sound.”
Demonstration
Waves CLA-76
Price & Demos @ Waves Audio
Waves have been around for a very long time and for much of it as the top name in the game. Their plugins used to be really expensive. Nowadays if you catch them on sale they are cheap as chips. And general pretty good value for that.
The CLA-76 comes in two guises (blue & black) and both are emulations of versions of a classic 60’s Compressor/Limiter. People still pay big coin for hardware versions of these things for “modern” recordings.
Feature wise, these units don’t have a lot on offer. Input, Output, speed the Ratio Curve operates, and then a section of Ratio pre-sets. Sounds dull, I know, but in-practice they can be great.
CLA-76 has a pretty fast Attack, meaning there isn’t too much time between a loud transient arriving and the compression goblins leaping into action. Great for drums as you can really flatten them to add thickness, edge and size.
And for vocals? Depends on who you are. Some like the CLA-76 for vocals for that very same reason. Merciless attack times, the ability to really crunch those pop vocals. Others don’t. But some producers, like Chris Lord-Alge, swear by them for the “the sound.”
Another thing to watch out for is that these units add saturation which changes the “weight” of the sound with wee bits of distortion overtones (and some undertones too). This means the units respond very nicely to being hit hard.
Demonstration
Softube FET Compressor
Price & Demos @ Plugin Boutique
More Softube, more emulation. Everyone loves a bit of bounty hunter scum. Or so it would seem with another 1176 emulation. This one looks more like a 70’s Hi Fi than the original though.
Price-wise, when it’s not on sale, it costs more than the Waves unit mentioned. So it’s a good idea to take a look to see if you’re lucky.
However, FET has more features. Softube added some more modern features (along with improving the flow of the knobs) so you can parallel process and alter what parts of the signal trigger the processing goblins. This is doable with some effort in your DAW with the CLA-76, but far easier in the FET.
Again, some people love it on vocals, as it can really rough them up add some punch where needed. Many think the parameter additions make this a better bet there. Just keep in mind that some have noticed that the FET can slide into distortion if you aren’t paying attention.
This is a character effect (processor to be accurate). So be aware that, while you can use it on everything, including vocals, you may find that you’d want to slap this bad boy onto different things in different places.
Demonstration
Softube Summit Audio TLA-100 Compressor
Price & Demos @ Plugin Boutique
Another minimalistic blast from the past. The Summit Audio units got popular in the 80’s, particularly for vocals.
The reason this style of unit works so well for vocals is that it tends to be kind. Besides the Tube-Tech, the other compressors so far have tended to be rough and rowdy (which has its charm) but the TLA-100 is smoother and less noticeable as it goes about its work.
“Smooth”, “controlled”, and “softening” are common adjectives applied to the TLA-100. Softube added a few extra features including a separate saturation section so you can control how tubular it all gets.
The Parallel options seems slightly unusual as that effect is normally used with more brutal compressors but we won’t complain that it is there.
This compressor isn’t a jack of all trades. But if you want a character unit to supplement your core compression, or you want to choose one unit to live with then this could be it. I may just suggest that it could see you struggle with less controlled singers like Rappers.
If you ever feel the need to lay down the law in your vocal mix, refer to the other units mentioned. But for singer-songwriter tracks, this is great.
Demonstration
FabFilter Pro-C2 Compressor
Price & Demos @ Plugin Boutique
This fellow is the real odd one out here. Not because it’s the best or the worst, but because it’s not a character unit. Pro-C2 is all about modern, practical, versatility, and clean.
This is the modern jack of all trades, cover every piece of ground, device that many of us bedroom boys love. Why buy and learn 78 devices when you can get one?
It is also simply the go-to plugin for all your compressing duties on every track, not just vocals. So it is well worth it.
You get a lot of modes targeted at most of the common things you will want to do with a compressor. For instance, its vocal mode helps you to bring vocals to the front of the mix. A nice little addition to a plugin.
Analog, Classic & Optical style modes are also on the list. But honestly, it is doubted that they can really compete with the dedicated units mentioned above. Think of it as leaning a bit that way.
Upside? This is the only unit here to offer control over the Knee of the compression critters. Boggling if you don’t get it but super useful if you do. Especially when it comes to vocal mixing.
Also, if you ever needed to learn how to use a compressor for mixing vocals, you’ll probably find about as many engineers on Youtube showing you how to mix vocals via the FabFilter Pro-C2 than any other one mentioned. You probably think of it as the ‘Fruity Loops’ of compressors.
Also, rather than being stuck in an old-hardware frame of mind the interface is visually informative and very adjustable to suit your task or preferences. You can even pop it full screen on an unreasonable large Retina display!
Demonstration
Waves Audio V-Comp
Price & Demos @ Waves Audio
Waves V-Comp rides on the vintage Neve’2254’s classic sound with its super-responsive dynamics processor.
It has all the typical compressor controls and its interface is intuitive and easy to use. The V-Comp also features a De-Esser switch which functions like a high-frequency side-chain to smoothen harsh high frequencies in the mix. This is a nifty feature that can be turned on and off with a single switch. Also included is a limiter that can be used independently.
While some user reviews do not seem convinced of the V-Comp’s emulation of the actual 2254 machine, many are satisfied with its silky smooth compression. V-Comp lends a unique ‘analog-ish’ color to the entire mix, which we believe to be a commendable feat in itself.
Its vintage-style squashing of the transients is also convincing. There is a bit of warmth in the processed signal which can be further shaped by the De-Esser and the limiter functions.
Needless to say, the V-Comp is a good option for those who want the most out of their buck, especially if you’re going for an easy-to-use plugin that fits most styles of sound.
Waves CLA-2A
Price & Demos @ Waves Audio
The CLA-2A is modeled after the legendary Teletronix LA-2A, a tube-based compressor from the 1960s. The Teletronix LA-2A is prized for its electro-luminescent optical attenuator. The Waves CLA-2A emulates this frequency-dependent action for smooth gain reduction.
Producers love the multi-stage release and the CLA-2A’s quick response, both of which add character to the mix. It seems that most producers use the CLA-2A for leveling purposes, particularly for bass sounds. But it has also proven itself as a competent vocal compressor as well.
Included when buying the CLA-2A are presets made by Grammy-winning mix engineer Chris-Lord-Alge, a side-chain frequency filter, and a limiter mode.
The CLA-2A does not have a lot of tricks, but its historic sound and simplicity makes up most of its charm. It has more than you would ever expect from a product of its price point.
Waves CLA-3A
Price & Demos @ Waves Audio
Based on the original 1969 solid-state compressor, the Waves CLA-3A boasts a transparent compression curve. This ensures a fast response from attack to release, a perfect tool for high-tempo music.
Moreover, it packs a subtle harmonic distortion for some added spice. This works best for bass, as it brings out a unique kink from the sound. Nonetheless, the CLA-3A infuses this edge to your vocals without ruining the signal.
Like the CLA-2A, it uses an optical attenuator for gain reduction. The algorithms behind the compression are program dependent. This means that it is hard to say how a particular setting would change the quality of the sound. This unwieldiness is expected out of any ‘vintage-style’ compressor and is what makes it fun to use.
The CLA-3A’s interface is fairly simple. It has a Peak Reduction knob for controlling the desired compression, and a Gain knob for adjusting the levels after compression.
Overall, the CLA-3A can be used for a wide variety of applications. But its magic is most potent on bass, vocals, and guitars.
Waves Renaissance Vox
Price & Demos @ Waves Audio
None other than Drake’s producer Noah “40” Shebib has praised this plugin as “one of the most important plugins ever made.” These high words of praise are only equaled by the Waves Renaissance Vox’s packed features.
What the R-Vox lacks in visual appeal, it makes up for in its ‘under the hood’ bag of tricks. It deploys an entire array of expansion, compression, and limiting gadgetry, most of which happens by way automation.
But despite the complex tech behind R-Vox’s processing chain, users are only given three controllable parameters, which are expander and compressor thresholds and output attenuation. Needless to say, producers who want more control over the attack and release times may find the Renaissance Vox too wild of a beast to tame.
Nevertheless, this plugin’s ‘plug-and-play’ philosophy helps producers focus on other mixing aspects by automating the gritty details. And it does this to excellent effect. An instance of R-Vox instantly puts your signal into the front and center of the mix. It adds weight to any signal, which can help for weak-sounding vocals to stand out.
Another added bonus is its relatively small CPU footprint. You can chuck in multiple instances of the plugin without putting a strain on your machine.
Final Thoughts
What to do?
The Tube-Tech CL 1B unit is the favorite by far. But being a high-ticket item, you may want to consider the other four units mentioned if you’re on a tighter budget.
Then, you can decide if you want to commit to a path, like owning one unit that you use for everything, or having a couple that fits diverging tastes. In the latter case you won’t have one unit that you have to “fight with” to submit to every path that comes across your DAW.
If you’re thinking a character unit, then it really comes down to what appeals to you mostly. Namely:
Waves CLA-76, Softube FET and Summit Audio TLA-100.
Waves CLA-76 and Softube FET may suit people who mix harder and louder (as most of us have to these days), and whose vocalists need more discipline. Submitting to the Summit Audio TLA-100 could be perfect for the folksier amongst us.
But if dollars are the deciding factor, then check if Waves is having one of their many sales right now go grab it!
But for the vanilla producer/engineer, the FabFilter Pro-C2 has so many possibilities. Not only in the “I can’t believe it’s not butter” processing, but in dramatic or effect processing that makes it hard to pass by.
If you want just one compressor and don’t mind the vanilla, FabFilter Pro-C2 is the one ring to rule them all.
The Tube-Tech CL1B, when powered up with the Collection Upgrade, proves itself to be a very competent product. While definitely among the most expensive in the list, its versatility and its added features make it worth every buck.
But one cannot also ignore the CLA-2A and CLA-3A, as these are also very powerful compressors. What makes them interesting are their unique vintage features. If you’re looking for something that would help you develop your personal sound, these two products might suit you the best.
Of course, one could never go wrong with the Renaissance Vox. While also learning more towards the pricier side, the simplicity and the sheer power of this plugin makes it an awesome choice for newbies and vets alike.
On the other end of the spectrum is the FabFilter Pro-C2 which is as simple and vanilla as you can get. If you’re looking for a no-nonsense compressor that does its job, the FabFilter is an ax that will never fail you when you need it the most.
Multiband compressor plugins are about as prized as they are misunderstood.
Those that know them, love ’em. Those that don’t know much about how they work, believe they have magical powers (and hence would be as useful as you’d feel it might be to the uninitiated… depending on whether or not you believe in magic or snake oil marketing).
However, the best multiband compressor plugin is not magic, my friend, they are extremely useful if you plan on doing your own mastering, or tightening up your vocals, guitars, or other tracks in your mixes.
Quick answer: iZotope Neutron and the FabFilter Pro-MB are two of the best options out there now n the realm of multiband compression.
If you want something that’s not as expensive, take a look at Waves Linear Phase Multiband Compressor.
Let’s take a closer look 🙂
Table of Contents
- Multiband Compressor Plugin Buying Guide
Find more great guides here:
Multiband Compressor Plugin Buying Guide
What is a Multiband Compressor?
A multiband compressor is simply an advanced compressor that gives you the ability to compress different parts of the audio frequency spectrum…
Think of it like a cross between your typical equalizer and compressor, where instead of attenuating or amplified different frequency bands in your audio signal, you’re applying and adjusting compression settings instead.
(See this Wiki article on multiband compression for more info.)
Moving forward, this gives you more control over the different aspects of the sound than standard compressors.
For example, in mastering a mix, you may want to reduce the attack transient of a guitar track which occupies a certain portion of the frequency spectrum, while letting the punch of a kick drum get through in another part of the spectrum.
When it comes to mixing, one of the many applications of multiband compressor is in vocals. You can use it for smoothing out the vocal performance of a singer with a wide frequency range. This way you don’t lose any of the “information” from completely cutting out lower end.
You can also read on the typical compression settings used for vocals.
Features to Look for in a Multiband Compressor Plug-in
There are only a few essential features you will need to pay attention to…
At the very least you want a multiband compressor that lets you compress four different bands. This gives you a good range of frequencies to work with, which should be suitable for vocal processing and other tasks.
A ‘solo’ function is helpful for pinpointing problem areas, as well as for hearing what the compressor is doing to a specific frequency range. What solo will do is allow you to listen in on a specific frequency band alone, to the exclusion of everything else.
Ott Multiband Compressor
The ability to solo individual bands will also help you hear how the transients are affected by the attack and release settings.
Choosing a Multiband Compressor Plug-in
The ability to target specific frequency ranges is a good thing to have in your mixing or mastering chain…
… and a good multiband compressor will certainly supply that. Vst plugins pirate.
Most designs limit you to certain frequency bands, which might be sufficient for most basic tasks. In order to hone in on problem areas however, the ability to pinpoint exact frequency ranges is essential.
For vocal processing, you don’t necessarily want the ‘pumping’ or ‘breathing’ that many compressor circuits typically provide. For this specific task, you want a compressor that can be as transparent as possible.
Finally, choose a multiband compressor that gives you control over as many parameters as possible. Even if you don’t know how to use them all right now…
…the added control will come in handy as you gain familiarity with multiband compressors.
With that said, let’s look in the top multiband compressors you can consider.
Best Multiband Compressors – Plugin Overview
iZotope Neutron 2
The iZotope Neutron 2 is a very attractive an all-in-one mixing tool that packs together a variety of mix processors in a very user-friendly package. In addition to two compressors and a limiter, it also comes with an EQ, an exciter, a gate, and a transient shaper. Many of the processors can be operated in single-band or multi-band mode.
Specs and useful features
- Proprietary spectral-shaping for fine-tuning of tracks
- Tonal balance control helps in analysis and optimization
- Seamless integration with Ozone 8
- Visual mixer provides control over individual tracks
- Masking meter identifies frequency collisions and prevents track masking
- Mix tap allows integration of third-party plug-ins
- Redesigned interface for better workflow
User impressions
Multiband Dynamics Vst Free
One thing that most users of the iZotope Neutron 2 always mention is how readily it lends itself to a new way of mixing. With its wealth of features and innovative user interface, it seems to attract a fair share of “tweakers” that really like to get deep into the nitty-gritty of a mix.
Many users also appreciate the ability to get tracks in the ballpark by way of the Track Assistant feature. Even though most users ultimately end up fine-tuning the parameters, getting workable settings for the compressors and equalizer help speed up the process considerably.
Bottom-line
For a little more than the price of a single plug-in, the iZotope Neutron 2 is an impressive tool box. Some may argue whether or not this is the best multiband compressor plugin as it’s actually a set of plugins than simply. However, based on what your requirements are in the studi, it requires a worthy look. It’s more than just a vocal mix tool, Neutron 2 can pretty much handle most any compression-related task.
Demonstration
FabFilter Pro-MB
The FabFilter Pro-MB is a multiband compressor/expander for experts, but it follows in line with the company’s modern design aesthete. Also like all the other FabFilter plug-ins, you can get precise control over all the parameters, yet it remains very easy to use. You could even create new bands at any of the frequencies you wish, so you aren’t limited by traditional preset crossover systems.
Specs and useful features
- Six processing bands can be placed anywhere in the spectrum
- Bands snap together for use as a traditional crossover system
- Dynamic phase processing ensures zero latency, reduces phasing, and eliminates artifacts
- Linear phase processing eliminates artifacts when changing crossover frequencies
- Allows different types of dynamics processing
- Fully customizable per band
- Variable stereo linking
- Mid- or side-only processing
- External side chain input
- Triggering on a separate frequency range
User impressions
For many users, the main selling point of the FabFilter Pro-MB is how it allows for in-depth tone shaping with no coloration or artifacts. One reviewer uses it exclusively for vocal and acoustic guitar tracks, citing the convenience of having a dynamic EQ along with the compressor.
Another user did wish that the display could be zoomed in horizontally. We’re inclined to agree, as this could make it easier to hone in on a specific frequency range.
Bottom-line
The FabFilter Pro-MB is an excellent multiband compressor that delivers a superb array of features. As with all FabFilter plug-ins, the user interface is absolutely top-notch, and the sound quality is impeccable. The mark of a good plug-in is how easy it is to use even with a wealth of features. In that regard, the Pro-MB qualifies as one of the best multiband compressors around.
Demonstration
Waves Audio Linear Phase Multiband Compressor
The Waves Audio Linear Phase Multiband Compressor is a musical and transparent multiband compressor that gives you control over your levels without adversely affecting the sound. It’s quite effective at processing vocal tracks, it’s also fully capable of handling entire mixes. With a host of features that include adaptive thresholds and automatic makeup gain, the Linear Phase Multiband Compressor delivers consistently outstanding results.
Specs and useful features
- Controls levels without squashing sound
- Five user-definable bands
- Linear-phase crossovers for each band
- Adaptive threshold, automatic makeup gain, and finite response filters
- Suitable for mastering as well as other precision applications
User impressions
The Waves Audio Linear Phase Multiband Compressor has quite a number of fans due to its excellent sound and straightforward user interface. It’s simple enough for quick level matching, and it’s also capable of the most demanding mastering tasks.
This a combination of power and simplicity, and makes it attractive to a broad range of users. Like all multiband compressors however, many users advise using it sparingly in order to avoid introducing unwanted artifacts.
Bottom-line
The Waves Audio Linear Phase Multiband Compressor is a pretty impressive plug-in that won’t mess with the phase of your audio or add any coloration. Used just a touch on your vocal tracks, it can make them sound more present and more ‘alive’. The price is actually pretty amazing for what you get. For other plug-ins of similar quality, you could easily spend a lot more.
Demonstration
Softube Drawmer 1973
Softube Drawmer 1973 might be familiar to those that have worked in a big studio in the early 1970s. Like the name suggests, it’s based on the original Drawmer 1973 hardware compression unit. The software plug-in brings all the warm analog response of the venerated unit to the 21st century. However, a host of new features have been added to the Ivor Drawmer-approved design, which means more control and better definition, with the same unmistakable Drawmer sound.
Specs and useful features
- Three-band FET compression
- Precise control over dynamics
- Mid-side mode and side chaining
- Drawmer-approved design
User impressions
Mix engineers that have used the Softube Drawmer 1973 on vocals like that it is able to remove the sharper consonant from vocal tracks without any loss in clarity or detail. Many have used it to great effect on lead as well as background vocals, attesting to its versatility.
Bottom-line
The Softube Drawmer 1973 is an excellent example of what can be achieved by modeling a great sounding vintage piece of equipment and adding modern features and functionality. It’s ideally suited to treating individual tracks, even though it could just as easily be a mainstay of your mastering chain.
No matter how much–or how little–familiarity you have with multiband compressors, you will most likely find use for the Softube Drawmer 1973.
Demonstration
Best Free Vst Multiband Compressor Plugin
Waves Audio C6 Multiband Compressor
The Waves Audio C6 Multiband Compressor is an updated version of the company’s C4, which for many years was the standard in multiband compressor plug-ins. All the features of the C4 are still present, and have been augmented with two additional floating bands and a sidechain, among other features. Suitable for studio, live, and post-production, the C6 is a flexible and versatile multiband compressor that lets you precisely target troublesome frequencies.
Specs and useful features
- Internal and external sidechain per band
- Individual band listen mode
- Four crossover bands
- Two additional floating bands
- Dynamic EQ, compression, and expansion
User impressions
Most users of the Waves Audio C6 Multiband Compressor are unanimous in their appreciation of the plug-in. It’s equally capable of sweetening vocals as it is of pumping up drum tracks, so the C6 is frequently praised for its ability to consistently deliver great sound.
Some users have reported satisfactory results when using the C6 live as well. They cite its ability to help lead vocalists cut through the mix, one user even reported using it in his vocal tracks exclusively.
Bottom-line
The Waves Audio C6 Multiband Compressor is a professional is the professional’s choice. From taming wayward peaks to making a vocal track sound more consistent across the singer’s frequency range, this one is pretty hard to beat for the price.
Demonstration
Final Thoughts – Which to Get?
The iZotope Neutron 2 and the FabFilter Pro-MB are pretty much neck-and-neck when it comes to sound quality, features, and versatility. Both pack a wealth of features in innovative and cutting-edge user interfaces, and both could easily handle all your vocal compression, mixing, and even mastering tasks. You certainly can’t go wrong with either one, so your choice will basically boil down to which mode of working you prefer.
The Softube Drawmer 1973 is a great multiband compressor in its own right. Although Neutron 2 and the Pro-MB are more than capable of delivering “vintage”-style sound and performance, this is something that the Drawmer 1973 does especially well.
If you’re looking of the cheapest that you can find without compromising on performance, the Waves Linear Phase Multiband Compressor would the one to get.