Lots of people are obsessed with the ‘warmth’ of analog studio gear. Sure—it sounds fuller, more human, more present.
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But these days, modeling technology has become really good at simulating the effects of analog circuitry. Our computers and DAW apps are powerful enough to handle these VST workhorses.
The use of an external filter, or audio plug-in, modifies the frequency response of all songs played. This can be useful to correct room resonance, change the signature of an audio system, or apply a specific effect. Audirvana can integrate AudioUnits under macOS, or VST3 under Windows, into the signal processing chain. Set the compatible. Want to use some of the comprehensive FX plug-ins that REAPER provides, but stuck in another host? Haven't made the switch yet? Fear not - you can download ReaPlugs, a package of FX that includes many of the plug-ins that come with REAPER, for free! Instantly apply correction. Once you’ve generated your profiles, open your DAW and insert ARC 3 across the master bus. ARC applies a precise correction filter using advanced processing to compensate for your room’s acoustics with a higher level of accuracy than ever before. Now you’re hearing your music free of the impact of room acoustics.
So forget about spending tons of money on analog gear.
Here’s 7 VSTs (for both PC and Mac) that will give you that sweet analog warmth.
- SGA1566 Tube Preamp
- TDR Slick EQ
- Ace Amp
- Molot Compressor
- Voxengo Tube Amp
- MJUC jr. Compressor
- Softube Saturation Knob
What’s all the analog fuss about?
Ok, so what does analog circuitry do to your sound? What’s everyone so obsessed about?
What people like about analog sound are the quirks and imperfections.
So when people talk about ‘warm analog sound’ they’re referring to:
- Subtle distortion and drive
- Harmonic distortion
- Tape Saturation
- Vacuum tubes
- Preamps
What these processes do to your sound is often hardly noticeable. That’s what the magic’s about—you won’t hear them, but they’ll make a huge difference in how your track sounds and feels.
The cumulative effect of analog processes is what people are gushing about.
1. SGA1566 Tube Preamp
Shattered Glass Audio’s SGA 1566 gives you a single channel vintage tube preamp. The whole circuit is simulated in real time to get you that authentic analog sound.
Use the SGA 1566 as a saturation compressor to boost the warmth of your track. Or add a bit of grit with the tube overdrive.
The newest version is also lighter on your CPU––so no computer freak outs!!
Download the SGA 1566 for free here.
2. TDR Slick EQ
“This little guy sounds amazing” –Dave Pensado
The TDR Slick EQ is a sleek easy-to-use three-band EQ that gives you amazing sound—like all Tokyo Dawn Records plugins.
Warm up your sound by choosing a non-linear option under Output Stage. That’ll add subtle harmonic distortion and texture.
Download the TDR SlickEQ for free here.
3. Ace Amp
Ace Amp—another Shattered Glass Audio creation—is based on classic 1950s style tube amps.
Control the input, volume, feedback, output. Choose between three resampling options.
This amp plugin has simple controls and doesn’t eat up your CPU.
Hot Tip: Try it on vocals for a cool aesthetic effect.
Download the Ace for free here.
4. Molot Compressor
Vladg’s Molot is a compressor with character. Even the vintage Soviet look is on point.
Molot will give your sound interesting color. I recommend reading the manual to learn how to tune it properly—it’s worth the read.
Download Molot for free here.
5. Voxengo Tube Amp
Voxengo’s Tube Amp gives you warm overdrive, fuzzy distortion and everything in between.
It imitates tube overdrive in the style of single-tube mic preamps.
Hot Tip: Use the low-pass filter to imitate the texture of lower-quality tubes.
Download Voxengo’s Tube Amp for free here.
6. MJUC jr. Compressor
Klanghelm’s MJUC jr. compressor is simple and elegant.
Use it for smooth compression or a heavier pumping effect. MJUC jr. is based on vintage compressors of the 1960s––it even looks like one.
Flip the ‘Time Constants’ switch to choose between slow, fast and auto. This changes the attack and release time. It affects other parts of the circuitry too, giving you interesting analog-style saturation.
Download the MJUC jr. for free here.
7. Softube Saturation Knob
This Saturation Knob is one the best free analog emulation plugins out there. Even Dave Pensado gives it two thumbs up!
Use it anywhere to add some character and distortion. Drag it on your vocal track to add shimmer.
The great thing about this one is how simple it is: literally one knob and a switch. Change the switch setting to choose between the kind of distortion you’ll get.
Download the Softube Saturation Knob for free here.
Fake It Till Ya Make It
These effects are the missing ingredient in your digital sound.
The key with analog emulation is to avoid overdoing it. Bring in the effect until you hear it, then dial it back a notch. It’ll still make a huge difference. Your sound will be fuller and warmer.
Use these plugins and people will be asking for your studio secrets in no time.
Room Filter Correction Plugin Reaper Vst Free
Make sure to grab the whole LANDR-approved free VST plugin collection:
Reaper audio recording software is awesome, and is what I recommend to everyone. I use it every day. And I also seem to learn something new about it every day. It has an incredible noise reduction tool built right in that I just discovered recently.
The reason I didn't know about it sooner is primarily due to the fact that reducing recorded noise is not its only or primary function. It just happens to do it REALLY well, and non-destructively (if that's not a word already, I hereby create it). The tool is called ReaFIR. I know! Who'd have thought to look for noise reduction editing chops under a moniker like that?
Review of What Noise Reduction Does
First though, let's do a quick review of what noise reduction does for us in the world of recording. There is almost always a bit of background noise in recorded audio. It is especially noticeable in recordings of just one thing, like a single voice.
The noise usually comes from a combination of stuff happening in the space/room where the recording takes place, and the electronics of the microphone and other gear involved. Recordings sound much better if you can reduce the noise, and that is what noise reduction tools are designed to do.
The typical method is to use an effect in an audio editor called 'Noise Reduction.' See my article How To Get Rid Of Background Noise In Audacity for how that normally works.
But since the noise and the voice are both together in the same recording, it isn't a perfect process. What noise reduction tools try to do is filter and removing as much noise as it can without also removing too much of the voice.
In order to do this, the software has to know what noise looks like so it can separate it from the signal (voice). So you have to highlight a section of the recording where there is ONLY noise, and no voice, and feed that sample to the noise reduction tool. Once it has the noise profile, it can do its thing.
My favorite recording program, Reaper, is a digital audio workstation (DAW), which is a fancy way of saying full-featured multi-track recording program. For more information on why I love Reaper so much, see my article, Why Reaper Rocks As A DAW.
But for some reason, Reaper doesn't have an effect called 'Noise Reduction.' So how do you reduce noise in Reaper?
Enter ReaFIR
Reaper names its effect plugins by using 'Rea' as a prefix (for Reaper), and then the name of the function after it. So ReaFIR means Reaper FIR. So what does FIR mean? It stands for Finite Impulse Response. If you would really like to geek out on what it really means, including all the scary math involved, you can read about it at the Finite Impulse Response Wikipedia page. But the simpler definition for ReaFIR itself from the Reaper manual is:
ReaFIR is a EQ and dynamics plug-in that includes an FFT spectrum analysis window. Amongst other things it can be used as a precision EQ, a gate, a fast attack/release precision compressor, a noise reduction tool.
Obviously it is that last thing we're interested in. In the video below, I walk you through how to use ReaFIR to reduce the hiss noise that happened when I recorded a short voice over. BTW, this video was recorded several years ago (why it says from the 'upcoming' course). That course, The Newbies Guide To Audio Recording Awesomeness - Part 2, has now been around since 2012 and had been updated may times since.
How Does It Work?
So see it in action in the video above. But here is is a written summary of how it works. Once you have recorded some audio onto a track, click the FX button in the track control panel. Then select VST: ReaFIR from the Cockos collection of FX plug-ins.
Next, go ahead and click the “OK” button and then close the ReaFIR window by clicking on the red X in the upper right corner.
Now just highlight/select a section of the voice-over audio that has no voice actually saying anything. In other words, pick a small area that was only noise.
Then click on the Toggle Repeat button (down by the Play and Stop buttons). This is important because it will prevent any of the actual voice signal being played when sampling the noise for ReaFIR. With that area still highlighted, click on the FX button again to open the ReaFIR window. Synth 1 vst free presets.
Adding Vst To Reaper
In the Mode window of the ReaFIR tool, select Subtract, and put a tick into the Automatically build noise profile box. Now hit the Space bar on your keyboard (which will play the audio, which is just the noise at this point). You'll hear it for a second and then it will be gone. That's ReaFIR getting rid of the noise. /best-vst-synths-2017-free.html. Now hit the Space bar again to stop playback.
The next part is very important! Uncheck the box that says Automatically build noise profile. Otherwise ReaFIR will try to grab your voice and anything else on the track, and treat it as noise. Once you've done that, go ahead and close the ReaFIR window. Now all you have to do is click on the Toggle Repeat button again to turn it off, and listen to the entire track.
Voila! The noise is gone and only the voice remains. Pretty darned cool huh? And I think the result is better than a lot of tools dedicated to removing noise. I didn't hear much, if any, of the weirdness that sometimes happens after noise reduction.
The audio takes on a kind of swirly, under-water-y artifact sometimes. But I didn't hear that in this example. However, there noise we got rid of was a low-level and consistent hiss type of noise.
The louder the noise and the more varied the noise (if it contains lots of frequencies and intermittent clicks, pops, etc.), the more likely you are to have that swirly artifact left over after noise reduction.
Reaper How To Install Vst
So now you know about the secret noise reduction tool at your disposal if you use Reaper. Use it wisely.